I am fascinated with the internal- the mechanism of the body. I find that my interpretation of the human form is more interesting when drawn from a live model and built out of paper and parts of old drawings. This creates a decisive set of possibilities which is combined with found objects and materials. Due to the nature of the process the central narrative and composition are not preemptively determined. There is a notion of seclusion and isolation, that as an immigrant I always felt I lived in. A sense of eccentricity that leads one to develop particular rituals and personal visual cues that are then made tangible in my art.
God of Drones